For this project I used the reflective surfaces of chrome, glass, and metal to create some interesting effects. To do this I took the photos at varying angles and levels of light. These photographs were taken in my home and at Hoban.
Wintry Window
f-stop: 7.6 Shutter Speed:1/180 seconds
Double Double
f stop:5.2 Shutter Speed:1/30 seconds
Longing
f stop:3.1 Shutter Speed:1/20 seconds
what one is real?
f stop:2.8 Shutter Speed:1/8 seconds
Get a grip
f stop:2.8 Shutter Speed:1/8 seconds
In the kitchen
f stop:4.2 Shutter Speed:1/20 seconds
Up and Down
f stop:2.8 Shutter Speed:1/50 seconds
Framed
f stop:2.8 Shutter Speed:1/30 seconds
Spotlights
f stop:2.8 Shutter Speed:1/60
Crystal Ball
f stop:4.7 Shutter Speed:1/60 seconds
Listen and you will hear
f stop:2.8 Shutter Speed:1/25seconds
A nice day on the tropical shores of Ohio
f stop:4.2 Shutter Speed:1/30 seconds
Monday, February 22, 2010
Tuesday, February 9, 2010
Photographer report
1.Tina Modotti
2.1896-1942
3.A native of Italy, Modotti left for San Francisco where she marriedRoubaix de I'Abrie Richey in 1913. Seven years later she began a film career. It was during this time that she met and befriended photographer Edward Weston. Later, on a trip to Mexico, she became infatuated with the muralists. From there she became involved in politics and joined the Mexican Communist Party. After being falsely accused of murdering her lover, she left for Germany and then to the U.S.S.R. where she gave up photography for politics entirely. Later, in 1939 she returned to Mexico where she died three years later due to a heart attack.
4.Much of Modotti's work focuses in some way on Mexican life and, more prominently, Mexican Politics. Her very character made her an extraordinary women and the subjects of her photographs, an extraordinary photographer.
5.I like how her work is not all centered on people. Many of her photographs are of everyday objects that represent people. Much of her work I like a great deal. The subject matter of these photographs makes them great.
6.
Flor de manita
c. 1925
Mexican sombrero with hammer and sickle
c. 1927
Hands of the Puppeteer
c. 1929
Telephone Wires
c. 1925
7. Sources
http://www.masters-of-photography.com/M/modotti/modotti_articles.html
http://www.profotos.com/education/referencedesk/masters/masters/tinamodotti/tinamodotti.shtml
http://www.riversidebook.com/modotti.html
http://www.google.com/search?q=Tina+modotti+biography&hl=en&client=safari&rls=en-us&tbs=tl:1&tbo=u&ei=kJRxS9u4Fc_S8Qa3hrC9Cw&sa=X&oi=timeline_result&ct=title&resnum=11&ved=0CD0Q5wIwCg
2.1896-1942
3.A native of Italy, Modotti left for San Francisco where she marriedRoubaix de I'Abrie Richey in 1913. Seven years later she began a film career. It was during this time that she met and befriended photographer Edward Weston. Later, on a trip to Mexico, she became infatuated with the muralists. From there she became involved in politics and joined the Mexican Communist Party. After being falsely accused of murdering her lover, she left for Germany and then to the U.S.S.R. where she gave up photography for politics entirely. Later, in 1939 she returned to Mexico where she died three years later due to a heart attack.
4.Much of Modotti's work focuses in some way on Mexican life and, more prominently, Mexican Politics. Her very character made her an extraordinary women and the subjects of her photographs, an extraordinary photographer.
5.I like how her work is not all centered on people. Many of her photographs are of everyday objects that represent people. Much of her work I like a great deal. The subject matter of these photographs makes them great.
6.
Flor de manita
c. 1925
Mexican sombrero with hammer and sickle
c. 1927
Hands of the Puppeteer
c. 1929
Telephone Wires
c. 1925
7. Sources
http://www.masters-of-photography.com/M/modotti/modotti_articles.html
http://www.profotos.com/education/referencedesk/masters/masters/tinamodotti/tinamodotti.shtml
http://www.riversidebook.com/modotti.html
http://www.google.com/search?q=Tina+modotti+biography&hl=en&client=safari&rls=en-us&tbs=tl:1&tbo=u&ei=kJRxS9u4Fc_S8Qa3hrC9Cw&sa=X&oi=timeline_result&ct=title&resnum=11&ved=0CD0Q5wIwCg
Monday, February 8, 2010
The blur of motion a.k.a. Motion Blur :D
The concept for this project was freezing a trail of light. Shutter speed was increased to 2-8 seconds to capture the trail.
Bounce
f-stop:f/2.8 Shutter Speed:8.0 seconds
Laugh out Loud
f-stop:f/2.8 Shutter Speed:2.9 seconds
Nancy's Nectarine N
f-stop:f/2.8 Shutter Speed:2.9 seconds
An awe-inspiring A
f-stop:f/2.8 Shutter Speed:2.9 seconds
Scenic C
f-stop:f/2.8 Shutter Speed:2.9 seconds
Why a y?
f-stop:f/2.8 Shutter Speed:2.9 seconds
Might as well Jump
f-stop:f/2.8 Shutter Speed:8.0seconds
This is It
f-stop:f/2.8 Shutter Speed:4.0 seconds
Warp Speed
f-stop:f/2.8 Shutter Speed:4.0 seconds
Summoning
f-stop:f/2.8 Shutter Speed:6.0 seconds
True Colors
f-stop:f/2.8 Shutter Speed:6.0 seconds
"You may fire when ready"
f-stop:f/2.8 Shutter Speed:2.0 seconds
Bounce
f-stop:f/2.8 Shutter Speed:8.0 seconds
Laugh out Loud
f-stop:f/2.8 Shutter Speed:2.9 seconds
Nancy's Nectarine N
f-stop:f/2.8 Shutter Speed:2.9 seconds
An awe-inspiring A
f-stop:f/2.8 Shutter Speed:2.9 seconds
Scenic C
f-stop:f/2.8 Shutter Speed:2.9 seconds
Why a y?
f-stop:f/2.8 Shutter Speed:2.9 seconds
Might as well Jump
f-stop:f/2.8 Shutter Speed:8.0seconds
This is It
f-stop:f/2.8 Shutter Speed:4.0 seconds
Warp Speed
f-stop:f/2.8 Shutter Speed:4.0 seconds
Summoning
f-stop:f/2.8 Shutter Speed:6.0 seconds
True Colors
f-stop:f/2.8 Shutter Speed:6.0 seconds
"You may fire when ready"
f-stop:f/2.8 Shutter Speed:2.0 seconds
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